Support the making of the records on Voordekunst. The records will be available for sale at HMK.
#Necesse est vivere non series
The covers for the records will be a series of 50 original drawings by Cater and Kruk.
Open in app Facebook Tweet Reddit Mail Embed cyprogeneia liked this. The small artist edition of 50 will be handmade by master lathe cutter Sebastian Buczek. s30e08 mega meat and sweet treats guy fieri guyfieri diners drive-ins and dives necesse. Zato nije ni udno to je ljudsko bie od davnina koristilo mora i okeane za transport dobara sa udaljenih taaka poznatog im sveta. Skoro tri etvrtine povrine planete na kojoj ivimo je prekriveno vodom. The song created for the series of performances will be preserved on a 8″ vinyl record. ili to bi stari Latini rekli 'Ploviti se mora, iveti (ba i) ne'. The local and distant public will be invited to take passage and experience a non-everyday happening. These intimate performances are limited to 40 in total. In an attempt to discover these emotions, the artists endeavour to offset any potential feelings of claustrophobia, with a prosaic, modest quality of words and sound, and ask you to contemplate the unimaginable with them on a voyage of indeterminate scale. Photocopied demo cover with professional, white Swedish studio tapes (pink leader tape and no screws). Is it possible to develop a resonant relationship with a stranger in such a short time, in such confined surroundings? Remigare Necesse… addresses anxieties, nervousness, fears and hopes, with a polyphony of sensory information including speech, music, song, ritual and situation. Sul punto di salpare, dato che soffiava per mare un gran vento e i timonieri rumoreggiavano, imbarcatosi per primo e ordinando di levare lancora (Gneo Pompe. There are no reviews for Vivere non Necesse Est yet. The performances take single passengers onto the water in a small rowing boat and metaphorically take the living to the underworld and back again. Created during a two month working period in which they familiarized themselves with the locality – finding sounds, words, and places – this series of one on one performances on the water, prompts the participants into wondering: ‘who are those strangers, can we trust them?’
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